Interviews usually happen because the interviewee has just released a new album. So why not break the rule and do an interview with an artist, who has impressed me with her debut album Aphrodite’s Child, but, alas, hasn’t released a new album yet. Although I really wish, Juliet Kelly will do it soon. If you have missed Aphrodite’s Child, make sure to check it out since it features mostly original compositions and sounds fresh and good as on its release date. And thanks to Juliet for answering the questions.

Q: You have released your album Aphrodite’s Child some time ago. How satisfied are with the reaction so far?

Juliet Kelly: Yes, it seems like a lifetime ago now! But I’m very happy with the way it’s been received. Jazz Not Jazz did the very first review of it which was very positive and I’ve received many more excellent reviews since then. It’s also served as a kind of calling card and it was my CD that brought me to the attention of the excellent Courtney Pine who invited me to perform with him and has led to me appearing at the London Jazz Festival and to appearances in Russia (where suprisingly the concerts were totally sold out!) and a forthcoming performance in New York.

Q: Most jazz vocalists don’t dare to record an album that features an extensive 80% of original, self-written material. Especially for a debut album this is usually considered a brave move. While I really like it when artists don’t go the safe road, some people don’t like the idea and prefer album full of jazz standards. Please tell us the motivation behind writing eight of the ten songs on Aphrodite’s Child by yourself.

Juliet Kelly: Yes, it was definitely a risk, but I think turned out to be worthwhile because at the moment, the scene seems to be awash with new jazz singers and I think the fact that I write most of my material sets me apart from the rest. I’m hoping that my next album which I am in the process of recording will be 100% original, self-written material.

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